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The film fails in almost every other way imaginable. She’s the best thing about the film, but she isn’t nearly enough to make it remotely acceptable. This film also gives Foley a romantic partner in the form of the park’s only good security guard, Janice (Theresa Randle). That was one of Beverly Hills Cop’s best scenes, but here – having made a seemingly successful transition from art dealer to arms dealer – he’s dreadfully unfunny, and his one primary scene goes on and on and on without a laugh to be found. de Souza bring back Bronson Pinchot, who played Serge in the first film. We lose Todd in the film’s opening minutes – a tremendous waste for an unforgettable scene-stealer – but perhaps realizing they needed a little more continuity, Landis and screenwriter Steven E. The latter is written off and ostensibly replaced by Flint, while the former isn’t mentioned at all. Gone are Bogomil and Taggart (John Ashton). There aren’t many familiar faces left from the original two Beverly Hills Cop films. The man is named Ellis DeWald (Timothy Carhart), and he’s in charge of park security, though it’s clear to Foley that he’s up to something more nefarious in the bowels of the park, so he ends up recruiting an old friend, Rosewood (Judge Reinhold), and his new colleague, Flint (Hector Elizondo), to help him solve the case. Wonder World is the Disney stand in where Foley tracks Todd’s killer. Naturally, when a Detroit detective dies in action, one is forced to go to a popular Beverly Hills theme park to solve the case and catch the perpetrator. In this case, it’s Gil Hill’s Inspector Todd, and unlike Ronny Cox’s Bogomil in Cop II, Todd dies after getting shot by some ne’er-do-wells during a routine raid on a chop shop (where they dance to Motown classics for some reason). Like the previous two films, this one begins with one of Axel Foley’s (Murphy) friends getting harmed. Everything is jokey except for, ironically, Murphy, who seems to want to play Rambo or something. In III, Landis makes every action scene comedic in a way that neuters them completely. Scott crafted a pretty engaging thriller in Beverly Hills Cop II that found dedicated moments for comedy throughout. In fact, if I do a Cop III, you can safely say, ‘Ooh, he must have got a lot of money!'”ĭirector John Landis took over from Tony Scott, and their approaches to each film’s plot couldn’t be different. Apparently a third Beverly Hills Cop film was being bandied about as early as 1989, and when asked about it then, Murphy told Rolling Stone, “Paramount ain’t gonna write me no check as big as I want to do something like that.
#Beverly hills cop 3 movie
Posted on FebruBy John Gilpatrick 1990s, Classic Reviews, Movie ReviewsĪfter seven years away from Axel Foley, Eddie Murphy put the Detroit Lions jacket back on in an extremely half-baked sequel to the great Beverly Hills Cop II, but it’s pretty clear early on that he didn’t really want to.
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